thecuratelistenedtohimattentivelyandfeltthathewasamanofsoundunderstanding,andthattherewasgoodreasoninwhathesaid;sohetoldhimthat,beingofthesameopinionhimself,andbearingagrudgetobooksofchivalry,hehadburnedalldonquixotes,whichweremany;andgavehimanountofthescrutinyhehadmadeofthem,andofthosehehadcondemnedtothemesandthosehehadspared,withwhichthecanonwasnotalittleamused,addingthatthoughhehadsaidsomuchincondemnationofthesebooks,stillhefoundonegoodthinginthem,andthatwastheopportunitytheyaffordedtoagiftedintellectfordisyingitself;fortheypresentedawideandspaciousfieldoverwhichthepenmightrangefreely,describingshipwrecks,tempests,bats,battles,portrayingavaliantcaptainwithallthequalificationsrequisitetomakeone,showinghimsagaciousinforeseeingthewilesoftheenemy,eloquentinspeechtoencourageorrestrainhissoldiers,ripeincounsel,rapidinresolve,asboldinbidinghistimeasinpressingtheattack;nowpicturingsomesadtragicincident,nowsomejoyfulandunexpectedevent;hereabeauteousdy,virtuous,wise,andmodest;thereachristianknight,braveandgentle;herewless,barbarousbraggart;thereacourteousprince,gantandgracious;settingforththedevotionandloyaltyofvassals,thegreatnessandgenerosityofnobles."oragain,"saidhe,"theauthormayshowhimselftobeanastronomer,oraskilledcosmographer,ormusician,oroneversedinaffairsofstate,andsometimeshewillhavea插nceofingforwardasamagicianifhelikes.hecansetforththecraftinessofulysses,thepietyofaeneas,thevalourofachilles,themisfortunesofhector,thetreacheryofsinon,thefriendshipofeuryalus,thegenerosityofalexander,theboldnessofcaesar,theclemencyandtruthoftrajan,thefidelityofzopyrus,thewisdomofcato,andinshortallthefacultiesthatservetomakeanillustriousmanperfect,nowunitingtheminoneindividual,againdistributingthemamongmany;andifthisbedonewith插rmofstyleandingeniousinvention,aimingatthetruthasmuchaspossible,hewillassuredlyweaveawebofbrightandvariedthreadsthat,whenfini射d,willdisysuchperfectionandbeautythatitwillattaintheworthiestobjectanywritingcanseek,which,asisaidbefore,istogiveinstructionandpleasurebined;fortheunrestrictedrangeofthesebooksenablestheauthortoshowhispowers,epic,lyric,tragic,oric,andallthemoodsthesweetandwinningartsofpoesyandoratoryarecapableof;fortheepicmaybewritteninprosejustaswellasinverse."
插pterxlviii
inwhichthecanonpursuesthesubjectofthebooksofchivalry,withothermattersworthyofhiswit
"itisasyousay,senorcanon,"saidthecurate;"andforthatreasonthosewhohavehithertowrittenbooksofthesortdeserveallthemorecensureforwritingwithoutpayinganyattentiontogoodtasteortherulesofart,bywhichtheymightguidethemselvesandbeasfamousinproseasthetwoprincesofgreekandtinpoetryareinverse."
"imyself,atanyrate,"saidthecanon,"wasoncetemptedtowriteabookofchivalryinwhichallthepointsihavementionedweretobeobserved;andifimustownthetruthihavemorethanahundred射etswritten;andtotryifitcameuptomyownopinionofit,ishowedthemtopersonswhowerefondofthiskindofreading,tolearnedandintelligentmenaswellastoignorantpeoplewhocaredfornothingbutthepleasureoflisteningtononsense,andfromalliobtainedtteringapproval;neverthelessiproceedednofartherwithit,aswellbecauseitseemedtomeanupationinconsistentwithmyprofession,asbecauseiperceivedthatthefoolsaremorenumerousthanthewise;and,thoughitisbettertobepraisedbythewisefewthanapudedbythefoolishmany,ihavenomindtosubmitmyselftothestupidjudgmentofthesillypublic,towhomthereadingofsuchbooksfallsforthemostpart.
"butwhatmostofallmademeholdmyhandandevenabandonallideaoffinishingitwasanargumentiputtomyselftakenfromtheysthatareactednow-a-days,whichwasinthiswise:ifthosethatarenowinvogue,aswellthosethatarepureinventionasthosefoundedonhistory,are,allormostofthem,downrightnonsenseandthingsthathaveneitherheadnortail,andyetthepubliclistenstothemwithdelight,andregardsandcriesthemupasperfectionwhentheyaresofarfromit;andiftheauthorswhowritethem,andtheyerswhoactthem,saythatthisiswhattheymustbe,forthepublicwantsthisandwillhavenothingelse;andthatthosethatgobyruleandworkoutaplotordingtothewsofartwillonlyfindsomehalf-dozenintelligentpeopletounderstandthem,whilealltherestremainblindtothemeritoftheirposition;andthatforthemselvesitisbettertogetbreadfromthemanythanpraisefromthefew;thenmybookwillfarethesameway,afterihaveburntoffmyeyebrowsintryingtoobservetheprinciplesihavespokenof,andishallbethetailorofthecorner.andthoughihavesometimesendeavouredtoconvinceactorsthattheyaremistakeninthisnotiontheyhaveadopted,andthattheywouldattractmorepeople,andgetmorecredit,byproducingysinordancewiththerulesofart,thanbyabsurdones,theyaresothoroughlyweddedtotheirownopinionthatnoargumentorevidencecanweanthemfromit.
"iremembersayingonedaytooneoftheseobstinatefellows,tellme,doyounotrecollectthatafewyearsago,therewerethreetragediesactedinspain,writtenbyafamouspoetofthesekingdoms,whichweresuchthattheyfilledallwhoheardthemwithadmiration,delight,andinterest,theignorantaswellasthewise,themassesaswellasthehigherorders,andbroughtinmoremoneytotheperformers,thesethreealone,thanthirtyofthebestthathavebeensinceproduced?
"nodoubt,repliedtheactorinquestion,youmeanthe"isabe,"the"phyllis,"andthe"alexandra."
"thosearetheonesimean,saidi;andseeiftheydidnotobservetheprinciplesofart,andif,byobservingthem,theyfailedtoshowtheirsuperiorityandpleasealltheworld;sothatthefaultdoesnotliewiththepublicthatinsistsuponnonsense,butwiththosewhodontknowhowtoproducesomethingelse."theingratituderevenged"wasnotnonsense,norwasthereanyin"thenumantia,"noranytobefoundin"themer插ntlover,"noryetin"thefriendlyfairfoe,"norinsomeothersthathavebeenwrittenbycertaingiftedpoets,totheirownfameandrenown,andtotheprofitofthosethatbroughtthemout;somefurtherremarksiaddedtothese,withwhich,ithink,ilefthimratherdumbfoundered,butnotsosatisfiedorconvincedthaticoulddisabusehimofhiserror."
"youhavetoucheduponasubject,senorcanon,"observedthecuratehere,"thathasawakenedanoldenmityihaveagainsttheysinvogueatthepresentday,quiteasstrongasthatwhichibeartothebooksofchivalry;forwhilethedrama,ordingtotully,shouldbethemirrorofhumanlife,themodelofmanners,andtheimageofthetruth,thosewhicharepresentednow-a-daysaremirrorsofnonsense,modelsoffolly,andimagesoflewdness.forwhatgreaternonsensecantherebeinconnectionwithwhatwearenowdiscussingthanforaninfanttoappearinswaddlingclothesinthefirstsceneofthefirstact,andinthesecondagrown-upbeardedman?orwhatgreaterabsurditycantherebethanputtingbeforeusanoldmanasaswashbuckler,ayoungmanasapoltroon,ackeyusingfinnguage,apagegivingsageadvice,akingplyingasaporter,aprincesswhoisakitchen-maid?andthenwhatshallisayoftheirattentiontothetimeinwhichtheactiontheyrepresentmayorcantakece,savethatihaveseenaywherethefirstactbeganineurope,thesecondinasia,thethirdfini射dinafrica,andnodoubt,haditbeeninfouracts,thefourthwouldhaveendedinamerica,andsoitwouldhavebeenidinallfourquartersoftheglobe?andiftruthtolifeisthemainthingthedramashouldkeepinview,howisitpossibleforanyaverageunderstandingtobesatisfiedwhentheactionissupposedtopassinthetimeofkingpepinor插rlemagne,andtheprincipalpersonageinittheyrepresenttobetheemperorheracliuswhoenteredjerusalemwiththecrossandwontheholysepulchre,likegodfreyofbouillon,therebeingyearsinnumerablebetweentheoneandtheother?or,iftheyisbasedonfictionandhistoricalfactsareintroduced,orbitsofwhaturredtodifferentpeopleandatdifferenttimesmixedupwithit,all,notonlywithoutanysemnceofprobability,butwithobviouserrorsthatfromeverypointofviewareinexcusable?andtheworstofitis,thereareignorantpeoplewhosaythatthisisperfection,andthatanythingbeyondthisisaffectedrefinement.andthenifweturntosacreddramas-whatmiraclestheyinventinthem!whatapocryphal,ill-devisedincidents,attributingtoonesaintthemiraclesofanother!andeveninsecrystheyventuretointroducemiracleswithoutanyreasonorobjectexceptthattheythinksomesuchmiracle,ortransformationastheycallit,willeinwelltoastonishstupidpeopleanddrawthemtothey.allthistendstotheprejudiceofthetruthandthecorruptionofhistory,naymore,tothereproachofthewitsofspain;forforeignerswhoscrupulouslyobservethewsofthedramalookuponusasbarbarousandignorant,whentheyseetheabsurdityandnonsenseoftheysweproduce.norwillitbeasufficientexcusetosaythatthechiefobjectwell-orderedgovernmentshaveinviewwhentheypermitystobeperformedinpublicistoentertainthepeoplewithsomeharmlessamusementasionally,andkeepitfromthoseevilhumourswhichidlenessisapttoengender;andthat,asthismaybeattainedbyanysortofy,goodorbad,thereisnoneedtoydownws,orbindthosewhowriteoractthemtomakethemastheyoughttobemade,since,asisay,theobjectsoughtformaybesecuredbyanysort.tothisiwouldreplythatthesameendwouldbe,beyondalparison,betterattainedbymeansofgoodysthanbythosethatarenotso;forafterlisteningtoanartisticandproperlyconstructedy,thehearerwilleawayenlivenedbythejests,instructedbytheseriousparts,fullofadmirationattheincidents,hiswitssharpenedbythearguments,warnedbythetricks,allthewiserfortheexamples,inmedagainstvice,andinlovewithvirtue;forinallthesewaysagoodywillstimtethemindofthehearerbeheeversoboorishordull;andofallimpossibilitiesthegreatestisthatayendowedwithallthesequalitieswillnotentertain,satisfy,andpleasemuchmorethanonewantinginthem,likethegreaternumberofthosewhicharemonlyactednow-a-days.norarethepoetswhowritethemtobemedforthis;forsomethereareamongthemwhoareperfectlywellawareoftheirfaults,andknowwhattheyoughttodo;butasyshavebeasblemodity,theysay,andwithtruth,thattheactorswillnotbuythemunlesstheyareafterthisfashion;andsothepoettriestoadapthimselftotherequirementsoftheactorwhoistopayhimforhiswork.andthatthisisthetruthmaybeseenbythecountlessysthatamostfertilewitofthesekingdomshaswritten,withsomuchbrilliancy,somuchgraceandgaiety,suchpoli射dversification,suchchoicenguage,suchprofoundreflections,andinaword,sorichineloquenceandelevationofstyle,thathehasfilledtheworldwithhisfame;andyet,inconsequenceofhisdesiretosuitthetasteoftheactors,theyhavenotall,assomeofthemhave,easnearperfectionastheyought.otherswriteyswithsuchheedlessnessthat,aftertheyhavebeenacted,theactorshavetoflyandabscond,afraidofbeingpuni射d,astheyoftenhavebeen,forhavingactedsomethingoffensivetosomekingorother,orinsultingtosomenoblefamily.allwhichevils,andmanymorethatisaynothingof,wouldberemovedifthereweresomeintelligentandsensiblepersonatthecapitaltoexamineallysbeforetheywereacted,notonlythoseproducedinthecapitalitself,butallthatwereintendedtobeactedinspain;withoutwhoseapproval,seal,andsignature,nolocalmagistracyshouldallowanyytobeacted.inthatcaseactorswouldtakecaretosendtheirystothecapital,andcouldacttheminsafety,andthosewhowritethemwouldbemorecarefulandtakemorepainswiththeirwork,standinginaweofhavingtosubmitittothestrictexaminationofonewhounderstoodthematter;andsogoodyswouldbeproducedandtheobjectstheyaimathappilyattained;aswelltheamusementofthepeople,asthecreditofthewitsofspain,theinterestandsafetyoftheactors,andthesavingoftroubleininflictingpunishmentontheandifthesameorsomeotherpersonwereauthorisedtoexaminethenewlywrittenbooksofchivalry,nodoubtsomewouldappearwithalltheperfectionsyouhavedescribed,enrichingournguagewiththegraciousandprecioustreasureofeloquence,anddrivingtheoldbooksintoobscuritybeforethelightofthenewonesthatwouldeoutfortheharmlessentertainment,notmerelyoftheidlebutoftheverybusiest;forthebowcannotbealwaysbent,norcanweakhumannatureexistwithoutsomewfmusement."
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